List of Works Compositions

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Full list of compositions available through Cayambis Music Press.

Pi (2010)

For vibraphone and glassware (2 percs)

Percussion duet for vibraphone and a percussionist playing glassware. The piece is based on a sequence of the number Pi. Winner of the Fisher Tull composition award in 2011. Approximate duration: five and a half minutes.

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Just Cause (2010)

Concrete Music

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Pitying the Farmers (2011)

For flute and percussion (1 perc)

Li Shen’s poem, “Pitying the Farmers,” inspired this work for flute and percussion.

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Una pieza para guitarra sola (2011)

Guitar Solo in graphic notation

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Construcción Folclórica Panameña (2012)

For three percussionist

“Construccion Folclorica Panamena” is a piece inspired by the micro-macro-cosmic form suggested by John Cage. The piece is a tribute to Cage in his centennial. It was commissioned by the Sam Houston Percussion Group under direction of Dr. John Lane for their performance at the Alfredo de Saint Malo music festival in Panama in 2012. Approx. duration: 8′ 30″

Instrument list.

  • Percussion 1, Churuca (gourd güiro), Panamanian repicador drum, marimba.
  • Percussion 2, Churuca (gourd güiro), Panamanian caja or tambora, castanets, maracas, vibraphone.
  • Percussion 3, Churuca (gourd güiro), Panamanian pujador drum, xylophone.

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Cuando la caja repica la trompeta suena (2012)

For trumpet and snare drum (1 perc)

This work is a tribute to the rhythms and melodies of marching band styles in Panama. Approx. duration: four and a half minutes.

“It is very important to consider the balance between the two instruments. A fortissimo on the trumpet is not the same as a fortissimo on the drum. Although I use these dynamics to keep track of the energy of the overall musical passage, material can be used to effectively dampen the drum so long as the ‘campana’ (the rim shot on the snare drum) has tone and resonance. In some of the softer parts, playing at the edge nearest to the drummer can facilitate the movement of the head-campana.”

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El Cristo Negro de Portobelo (2012)

For two players with conch shells

The Black Christ got to Portobelo approximately two centuries ago. The devotion to this figure is very popular among Panamanians. The reason why the christ got to Portobelo is still unknown. However, there are several legends told by the locals.
Each story has three parts- the arrival of the statue, the refusal of the statue to leave the village, and its veneration. Every attempt to get the statue out of Portobelo failed. To this, the believers suspected the statue had magical powers and decided to remain with them.

At the time the Cristo Arrived in Panama, there was a plague on the coast that wasdevastating the population. The people began to venerate the Black Christ and “miraculously” the plague ended.

For John Lane and Amanda Pepping (Lungta Duo). Available through Cayambis Music Press.

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Kugüe kirá ni ña (2014)

For septet of mixed instruments (vln, vlc, db, flt, cl, pno, perc1)

Bamboo chime, bass drum, conch shell and vibraphone are required to perform this musical representation of the ña indigenous people who lived in western Panama.

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Para 1, 2, 3 ó 4 percusionistas (2014)

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Y el tambor trepida! (en la cantina de Pancha Manchá) (2014)

For Panamanian repicador solo

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Arrangement: “Rapsodia Panameña”

For marimba solo

Originally Written for violin by Panamanian Composer Roque Cordero (1917-208). The piece makes references to Panamanian folk rhythms through his dodecaphonic style.

by Roque Cordero Tanscr. Carlos Camacho

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Arrangement: Adagio Trágico

For marimbas (3)

by Roque Cordero Tanscr. Carlos Camacho

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Full list of compositions available through Cayambis Music Press.